Steven Spielberg’s first foray into science fiction is now 40 years old and well deserved of a re-release.
All across the globe strange things are happening that cannot be explained. In Muncie, Indiana, electrical lineman Roy Neary (Richard Dreyfus) has an late night encounter with a UFO that changes him forever. As the US government begin to decode strange sounds coming from the heavens, they realise they are establishing contact with intelligent life and prepare to receive them.
Close Encounters is often forgotten within the context of Spielberg’s other works despite being one of his greatest achievements. In this early career venture Spielberg dared suggest that first contact with extraterrestrials might not be as apocalyptic as cinema had stereotyped, an idea he would revisit several times in his later career.
While the story itself is a refreshing change of pace from the death and destruction of contemporary alien films, the special effects are what truly won audiences over. Famed visual effects artist Douglas Trumbull passed up working on Star Wars shortly before beginning work on CE3K and Vilmos Zsigmond’s cinematography still stands up as some the most beautiful in cinema. Richard Dreyfus gives one of his career-best performances as the conflicted family man Neary, alongside Francois Truffaut, Melinda Dillion and a young Carey Guffey excellently directed by Spielberg in his prime.
With John Williams’ iconic and profoundly moving score, Close Encounters is still a beautiful experience for all of the senses. Nominated for 8 oscars and with many classic cinema moments, perhaps none more so than its 5 tone motif and unparalleled landing scene. Close Encounters is a benchmark in science fiction that has yet to be bettered.
- Cameo Picturehouse, 18th September
- Edinburgh Filmhouse, 19/20/21st September
- Belmont Filmhouse, 15th September
- Omni Vue, 24th September
- GFT, 15/16/17th September